The latter option involves a lot more networking and people skills, but can be more lucrative as you may get the entire slice of the music budget to yourself. One would be to either work as a freelance composer for a music house or bypass that stage by collaborating directly with the ad agency, a director, an editor or the client themselves. When it comes to writing music for commercials, I think there are a couple of routes. For some it remains a hobby, others are lucky enough to carve out a career. I went from playing Nirvana songs on the bass in a garage, to making my own techno tracks, to being signed to a major label, to being dropped from the label and working at a Blockbuster video store, and now working as a full-time media composer.Įveryone has their own route when it comes to making music. Below are a few tips to get you started in the world of composing for commercials. The same can be said of composing music for commercials, it has to help tell a story and engage the audience, often one with a very wide demographic. Whether it’s Mozart being commissioned to compose chamber music for the elite or John Williams writing a score for the latest Spielberg movie, it needs to be music that engages people. Composing is an art form that has often meant capturing the attention of an audience.
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